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Stage Combat Fisticuffs, Stunts, and Swordplay for Theater and Film by Jenn Boughn

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  • 83 Currently reading

Published by Allworth Press .
Written in English

Subjects:

  • Films, cinema,
  • Theatre, drama,
  • Acting,
  • Combat Sports,
  • Performing Arts,
  • Performing Arts/Dance,
  • Theater - Direction & Production,
  • Performing Arts / Acting & Auditioning,
  • Acting & Auditioning,
  • Martial Arts & Self-Defense,
  • Stage fighting

Book details:

The Physical Object
FormatPaperback
Number of Pages240
ID Numbers
Open LibraryOL8782585M
ISBN 101581154615
ISBN 109781581154610
OCLC/WorldCa71005825

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Whatever your current level of experience, Stage Combat: Unarmed is the essential book for directors, actors, students and teachers, or indeed anyone looking to incorporate safe, effective stage fights into their productions. Free sleep tracks. A good night's sleep is 5/5(2).   This is a practical manual covering all elements of stage combat - armed and unarmed - which lead up to Stage Fight Performance certification. The perfect supplement to all courses, workshops and classes, The Stage Combat Handbook is also the perfect aide memoire for anyone who has ever taken a class in stage : Wolf Christian. Stage Combat Books. 9 books — 1 voter More lists with this book Community Reviews. Showing Average rating Rating details 9 ratings 2 reviews More filters | Sort order. Start your review of Stage Combat: "The Action to the Word" Write a review. Gareth Jones rated it /5.   This book is the best of its kind, so far, because of the absolute clarity in its delivery. The photos and accompanying explanations, make it the most accessible book on Stage Fighting / Combat, I have ever come across. Kudos to J. Howell and his team for providing us with this little gem, and at such a reasonable price! J-P. Fournier5/5(6).

Used Stage Combat Books. What am I going to do with all of these books? Offer them to you at great savings! Let’s start with the incomparable Osprey series of single-topic military history books. If you know anything about Osprey you know that costumers, prop masters and fight directors count on these small books (usually 40 to 50 pages each. In most cases, the book’s author, Roger Bartlett, is the attacker, with colleagues Enric Ortuño and Yarit Dor playing his unwitting ‘victims’. IMPORTANT NOTE: It is essential that you read the descriptions in the book and work through each technique before watching the video. Book a Workshop For over nine years Squire Stage Combat has been working within schools and theatres providing the very best training for actors of all ages. We provide taster workshops, masterclasses and fight direction services to a range of clients from schools and colleges to professional theatre and film productions. Stage combat involving fencing and historical sword combat at the level this book is designed to help actors to be able to per- form fights safely, with dramatic flair, and with confidence.

The single sword is the most-used weapon on both stage and screen. The techniques used in single sword stage combat are derived from real combative methods used historically, and modified for acting. Basics of Stage Combat: Single Sword instructs the reader about the foundations of safe, skillful single sword use in theater, film, and television/5. Drama enrichment. Stage Combat workshop for schools. Exploring drama in a practical way. Perfect for arts week activities, an enrichment day activity or as support to GCSE or A level drama and theatre studies. Supporting AQA, OCR and EDEXEL and Arts Award/Arts Mark. Key stage 2, 3 and 4 and 5.   The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story.. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and 5/5(1). Download Unarmed Stage Combat books, Stage combat is a constantly evolving craft, responsive to the growing demands of an ever changing industry and an ever more perceptive audience. Experienced fight director, teacher and examiner Philip d'Orleans shows how to respond to this challenge through innovative techniques and original choreography.